These possibly cerebral refinements are scarcely so conspicuous at the Bauhaus; indeed, they are attributes of which an aesthetic of materials is apt to be impatient. In the workshop wing of the Bauhaus it is the literal transparency that Gideon has chiefly applauded, and at Garches it is the phenomenal transparency that has engaged our attention. If with some reason we have been able to relate the achievement of Le Corbusier to that of Fernand Leger, with equal justification we might notice a community of interest in the expression of Gropius and Moholy-Nagy.

                           Colin Rowe and Robert Slutzky 'Transparency' pp.41

Isolation is another important seduction.

What is something "repressed"?

What is something "desired"?

Every being can negate itself and be peacefully subsumed in the place of nothingness that absorbs any contraction.

Hallucination is media. Media to find the lost one by the totalitarian utopian concept. To find the repressed which doesn't fit into a neat notion of what the world should be...

By trying to find fallucinated part, you are apt to be in dialectic situation which is different from "undercidability".

Sometimes, restriced conditions make easier to design.

It is good idea to change the point of view in order to get away from mundane things.

Where is the image coming from?

Building is a kind of "egg". F.L.W

How are they going to leave & return?